New York death metal veterans
IMMOLATION have set
"Kingdom Of Conspiracy" as the title of their ninth full-length album. The follow-up to 2010's
"Majesty And Decay" will be released on May 14 in North America, both digitally and physically, via
Nuclear Blast Records. The CD was recorded at
Sound Studios in Millbrook, New York with longtime producer
Paul Orofino, and mixed and mastered once again by
Zack Ohren (
ALL SHALL PERISH,
DECREPIT BIRTH,
SUFFOCATION).
"We are really looking forward to getting the new CD out there to the fans," commented
IMMOLATION guitarist
Robert Vigna. "I don't think they are going to know what hit them after they hear this one!
'Kingdom Of Conspiracy' is one intense and miserably dark record!"
For photos of the band in the studio,
click here.
Catch the band on the
Decibel Magazine Tour this spring with
CANNIBAL CORPSE and
NAPALM DEATH.
Asked if he agrees with the opinion that the divide between death and black metal is artificial and that these styles are simply two sides of the same coin,
IMMOLATION bassist/vocalist
Ross Dolan told
MetalSerbia.com, "I think so. Because if you really look at it, we all came from the same roots. We were all inspired by the same bands. If you talk to us, and you talk to
MARDUK, and you talk to, maybe, the
IMMORTAL guys, you talk to
AVERSE SEFIRA, whoever you talk to, we all were inspired by the same bands. It's just different interpretations. We took that and we all went in our own directions. But it's all extreme metal, it's all very dark. I've heard people say that we kind of crossed the boundaries between death metal and black metal. If you had to put us in a genre, I would consider us definitely death metal, but I can see where we would appeal to black metal [fans], because our sound is very unorthodox for death metal, definitely very dissonant, very dark, and very bleak. So I totally understand that connection, and I agree with that. I think we all came from the same starting point, so it makes sense."
"Majesty And Decay", was released in March 2010 via
Nuclear Blast Records. The CD sold around 1,400 copies in the United States in its first week of release to land at position No. 29 on the Top New Artist Albums (Heatseekers) chart, which lists the best-selling albums by new and developing artists, defined as those who have never appeared in the Top 100 of The Billboard 200.
