CATTLE DECAPITATION: Tour Dates Announced
November 19, 2008San Diego extreme metallers CATTLE DECAPITATION have announced the first tour in support of their forthcoming album, "The Harvest Floor". Dubbed "Killing 'Til Oblivion 2009", the trek will mark CATTLE DECAPITATION's first full tour since 2007. Support on the shows will come from PSYOPUS, BOOK OF BLACK EARTH and GIGAN.
The dates are as follows:
Jan. 21 - Santa Barbara, CA - The Jensen Mainstage
Jan. 22 - Bakersfield, CA – Studio 99 (no BOOK OF BLACK EARTH)
Jan. 23 - Berkeley, CA - 924 Gilman Street
Jan. 24 - San Francisco, CA - Thee Parkside
Jan. 25 - Hollywood, CA - Knitting Factory
Jan. 26 - Tempe, AZ - The Sets
Jan. 27 - Albuquerque, NM - Launchpad
Jan. 28 - El Paso, TX - Uncle Paulie's Pub
Jan. 29 - Austin, TX - Red 7
Jan. 30 - San Antonio, TX - White Rabbit
Jan. 31 - Houston, TX - Java Jazz
Feb. 01 - Metairie, LA - The High Ground
Feb. 02 - Pensacola, FL - American Legion Post 33
Feb. 03 - Jacksonville, FL - Fuel Coffeehouse
Feb. 04 - Orlando, FL - Back Booth
Feb. 05 - Tampa, FL - The Orpheum
Feb. 07 - Tallahassee, FL - The Engine Room
Feb. 09 - Little Rock, AR - The Village
Feb. 10 - Dallas, TX - The Lounge on Elm Street
Feb. 11 - Farmington, NM - Gator's
Feb. 12 - Tucson, AZ - The Rock
Feb. 13 - San Marcos, CA - The Jumping Turtle
CATTLE DECAPITATION will release "The Harvest Floor" on January 20 in North America; January 30 in Germany, Austria, Switzerland and Italy; and February 2 throughout the rest of Europe via Metal Blade Records.
A new widget for the album can be viewed below.
The drum tracks for "The Harvest Floor" were laid down with Zach
Ohren (ALL SHALL PERISH, DECREPIT BIRTH) before the rest of the instruments were recorded and the entire thing was mixed with producer Billy Anderson (MR. BUNGLE, MELVINS, SWANS) at Sharkbite studios in Oakland, California.
According to the group, "Sonically, the band has managed to finally capture and accentuate its live intensity that we've become known for and has created one hell of an album from start to epic finish! Conceptually, its misanthropy shall go unmatched. This is it, humans... ferocity at its finest."
Regarding the album title and packaging, the band states, "The actual title refers to the area of a slaughterhouse where the animal (of course in our case it always means the HUMAN) begins the agonizing process of death, usually done with a bolt to the forehead or a slice to the throat. 'The Harvest Floor' is a fitting title for an album laden in gore and the anti-human metaphors and sentiments CATTLE DECAPITATION fans have grown to know and love. Artwork [see below] by Wes Benscoter shows the outside of a large slaughterhouse/factory of doom and gloom with the general public being herded inside to meet their demise. The inside of the album layout reveals what's really inside that slaughterhouse: our misanthropic heroes of GORE (not core) at another hard day of work! Combined with the amazing artwork and conceptually brutal layout, 'The Harvest Floor' also contains an enhanced portion which sports an iPod-ready documentary titled 'Pandemic: The Damnation Epic - The Making of “The Harvest Floor' which, simply put, makes 'The Harvest Floor' an apocalyptic multimedia epic!
"The Harvest Floor" track listing:
01. The Gardeners of Eden
02. A Body Farm
03. We are Horrible People
04. Tooth Enamel & Concrete
05. The Ripe Beneath the Rind
06. The Product Alive
07. In Axetasy
08. Into the Public Bath
09. The Harvest Floor
10. Regret & the Grave
The song "A Body Farm" is available for streaming at this location.
The CD features guest vocal appearances by Ross Sewage (IMPALED, LUDICRA) and Dino Sommese (DYSTOPIA, ASUNDER). There is alsoa special appearance by Jarboe (SWANS),lending her beautifully haunting voice to the epic death dirge "The Harvest Floor". Jackie Perez Gratz (GRAYCEON, AMBER ASYLUM) graces a couple tracks with her electric cello and Los Angeles noisician John Wiese also lends his electronic/atmospheric expertise to the album, further separating the band from the typical "cookie-cutter" approach applied all too often by today's extreme acts.
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