Watch Pro-Shot Video Of KORN's Entire 'The Nothing' Record-Release Performance
April 29, 2020
KORN's entire groundbreaking performance filmed inside of a living art installation celebrating the release of the band's 2019 album "The Nothing" was aired during Warner Music Group's first-of-its-kind virtual music festival, PlayOn Fest, supporting the COVID-19 Solidarity Response Fund for the World Health Organization (WHO),powered by the UN Foundation. You can now watch the concert below.
The band says: "On September 13, 2019, we held a private event for some of our biggest fans in Los Angeles, CA to celebrate the release of our album, 'The Nothing'. This special director's cut concert film, directed and edited by Sébastien Paquet, is for all of you who have supported us and weren't able to attend this exclusive event inside of a living art installation. We hope you enjoy the experience."
A few months ago, KORN singer Jonathan Davis told Kerrang! magazine about "The Nothing" record-release show: "[We played] in this little warehouse, with around 50 diehard fans, and we played three or four new songs. We had suspension artists, stuff like the wire man from the album cover, hanging there spinning. It was really cool."
"The Nothing" debuted at No. 8 on the Billboard 200 chart with 33,000 equivalent album units earned (of which 29,000 were in album sales) in its first week of release. KORN tied VAN HALEN for the fifth-most top 10s on the chart among rock bands; ahead of them: THE ROLLING STONES, with 37, THE BEATLES (32),DAVE MATTHEWS BAND (16) and SANTANA (16). "The Nothing" was KORN's 14th Billboard 200 top 10 album.
"The Nothing" was released via Roadrunner/Elektra. The follow-up to 2016's "The Serenity Of Suffering" was once again produced by Nick Raskulinecz.
In addition to first single "You'll Never Find Me", KORN released the "Cold" and "Can You Hear Me" songs prior to "The Nothing"'s arrival.
KORN guitarist James "Munky" Shaffer told Dread Central about "The Nothing": "We put a whole year into this record. That's something we hadn't done since 'Untouchables' in 2002. So, we really sat with these songs, lived with them, had time to reflect on them, and then went back and worked on them some more. We didn't rush it through just to put something out in order to get back on tour. I know a lot of bands do that; we've done it in the past too — I'm guilty. But this time we wanted to spend time with our families and take our time to make some great music. So, we spaced things out and really enjoyed being in the moment."
BLABBERMOUTH.NET uses the Facebook Comments plugin to let people comment on content on the site using their Facebook account. The comments reside on Facebook servers and are not stored on BLABBERMOUTH.NET. To comment on a BLABBERMOUTH.NET story or review, you must be logged in to an active personal account on Facebook. Once you're logged in, you will be able to comment. User comments or postings do not reflect the viewpoint of BLABBERMOUTH.NET and BLABBERMOUTH.NET does not endorse, or guarantee the accuracy of, any user comment. To report spam or any abusive, obscene, defamatory, racist, homophobic or threatening comments, or anything that may violate any applicable laws, use the "Report to Facebook" and "Mark as spam" links that appear next to the comments themselves. To do so, click the downward arrow on the top-right corner of the Facebook comment (the arrow is invisible until you roll over it) and select the appropriate action. You can also send an e-mail to blabbermouthinbox(@)gmail.com with pertinent details. BLABBERMOUTH.NET reserves the right to "hide" comments that may be considered offensive, illegal or inappropriate and to "ban" users that violate the site's Terms Of Service. Hidden comments will still appear to the user and to the user's Facebook friends. If a new comment is published from a "banned" user or contains a blacklisted word, this comment will automatically have limited visibility (the "banned" user's comments will only be visible to the user and the user's Facebook friends).