VINNIE PAUL Says PANTERA's 'Far Beyond Driven' Is His 'Most Impressive' Drumming Record

April 8, 2007

The U.K.'s "best-selling drum magazine" Rhythm (web site) recently conducted an interview with former PANTERA/DAMAGEPLAN and current HELLYEAH drummer Vinnie Paul Abbott. A couple of excerpts from the chat follow:

Rhythm: What or who inspired you to become a metal drummer?

Vinnie Paul: The first time I heard KISS I knew that was the type of music I was attracted to. Even though Peter Criss is a pretty simple player, he played with great feel and made the music get up and go. The drummer who inspired my style was Tommy Aldridge. The first time I heard him play "Boom Boom (Out Go The Lights)" with the PAT TARVERS BAND, he was doing triplets and crazy shit with his feet — it floored me! I went to my dad and said I needed another bass drum. He was like, "People don't use two bass drums!" That's when I got started with the feet action.

Rhythm: How did you go about learning to play metal?

Vinnie Paul: Tommy Aldridge always started with his left foot, which most people don't do anymore. I learned his way — left foot first for the 16th notes — it seemed more natural because you keep time with your left foot. Your right foot has already been trained to play all the offbeats so it makes sense. Peter Criss never played any double bass, but he made use of everything he had. Alex Van Halen used double bass in certain fill licks and sometimes to drive the band. Neil peart used the double kick sparingly but when he did it was really effective. I took a lot from that. The double kick player who inspired me to use bass drums to drive the band was Mikkey Dee [KING DIAMOND].

I had some proper training but that was only on snare drum. Learning all the techniques in marching bands and realizing how important it is to play tight set a standard for me for when I did get into a band.

Rhythm: Which PANTERA track would you say represents your style the best?

Vinnie Paul: Probably some of the most impressive drumming I've done is on the "Far Beyond Driven" record. Our mindset was for everything to be over the fucking top. It really pushed me and challenged me. The crazy drumming in "Becoming" had never been done before!

Rhythm's entire interview with Vinnie Paul can be found in the magazine's April 2007 issue, available on newsstands now.

Find more on
  • facebook
  • twitter
  • reddit
  • email

Comments Disclaimer And Information

BLABBERMOUTH.NET uses the Facebook Comments plugin to let people comment on content on the site using their Facebook account. The comments reside on Facebook servers and are not stored on BLABBERMOUTH.NET. To comment on a BLABBERMOUTH.NET story or review, you must be logged in to an active personal account on Facebook. Once you're logged in, you will be able to comment. User comments or postings do not reflect the viewpoint of BLABBERMOUTH.NET and BLABBERMOUTH.NET does not endorse, or guarantee the accuracy of, any user comment. To report spam or any abusive, obscene, defamatory, racist, homophobic or threatening comments, or anything that may violate any applicable laws, use the "Report to Facebook" and "Mark as spam" links that appear next to the comments themselves. To do so, click the downward arrow on the top-right corner of the Facebook comment (the arrow is invisible until you roll over it) and select the appropriate action. You can also send an e-mail to blabbermouthinbox(@)gmail.com with pertinent details. BLABBERMOUTH.NET reserves the right to "hide" comments that may be considered offensive, illegal or inappropriate and to "ban" users that violate the site's Terms Of Service. Hidden comments will still appear to the user and to the user's Facebook friends. If a new comment is published from a "banned" user or contains a blacklisted word, this comment will automatically have limited visibility (the "banned" user's comments will only be visible to the user and the user's Facebook friends).