W.A.S.P. Performs 'Animal (F**k Like A Beast)' Live For First Time Since 2006 At U.S. Tour Kick-Off: Video, Photos

October 29, 2022

W.A.S.P. performed the song "Animal (Fuck Like A Beast)" live for the first time in more than a decade and a half at the opening concert of the group's 40th-anniversary tour Friday night (October 28) at the House Of Blues in Las Vegas, Nevada.

The band's setlist was as follows:

01. On Your Knees / The Flame / The Torture Never Stops / Inside The Electric Circus
02. Crazy
03. L.O.V.E. Machine
04. Wild Child
05. Heaven's Hung In Black
06. Arena Of Pleasure
07. The Idol
08. The Great Misconceptions Of Me

Encore:

09. Chainsaw Charlie (Murders In The New Morgue)
10. Blind In Texas

Encore 2:

11. Animal (Fuck Like A Beast)
12. The Real Me (THE WHO cover)
13. I Wanna Be Somebody

More than a decade ago, W.A.S.P. mainman Blackie Lawless, who is a born-again Christian, said that he would "never" play "Animal" again, explaining that it was "totally because of [his] religious faith." He added at the time: "I don't want 13-year-olds going around singing that song. If that's something they wanna do later in their life, that's their business. But, like I said, it's a question of faith and the religious conviction that I have."

Earlier this month, in an interview with "Chris Akin Presents", Blackie addressed the possibility of bringing back the song for the upcoming W.A.S.P. run of shows. He said: "I don't wanna go into detail about it right now. I'll just say it's being discussed. But if we did it, it's gonna be different than people might expect. And what I'm talking about is from a visual perspective. And this idea has only just surfaced in the last couple of weeks. And again, I won't go into what it is, but it brought up a very interesting idea of if it was played how it could be approached. So I'll just leave it at that for now."

Last month, former W.A.S.P. guitarist Chris Holmes, who played on the original recording of "Animal (Fuck Like A Beast)", stated during a question-and-answer session in Toronto about the prospect of W.A.S.P. performing the song live again: "Blackie says now [he won't play the track] because of religious beliefs, so I think he should change the title to 'I Fuck Like A Priest'." He added: "I don't know, but that's what I was thinking."

Blackie previously touched upon the chances of performing "Animal (Fuck Like A Beast)" again during a January 2022 interview with SiriusXM's "Trunk Nation With Eddie Trunk". Asked why he dropped "Animal" from W.A.S.P.'s live set in the first place, Lawless said: "Two reasons. Number one, my religious convictions. [Because of] my Christian faith, I thought, 'Well, this is not really something that I wanna say.' But also, there was another reason as well. We were doing more serious material. Do you really want that conflict of messaging going on at the same time. So there was a two-fold reason for it.

"We haven't played that song in quite some time; it's probably going on 15 years now," he continued. "But however long it's been, I think I made my point. So we're in the process of… We're discussing [the possibility of bringing it back]; let's put it that way."

Prior to his January 2022 appearance on "Trunk Nation With Eddie Trunk", Lawless discussed his decision to stop performing "Animal (Fuck Like A Beast)"in a 2015 interview with Classic Rock. He said at the time: "At the time I came back to my faith, I said, 'That's it. I can't stand up on a stage and say this.' There's a verse in The Bible that says: 'Let no corrupt speech come from your mouth.' Between me and you and the fencepost, that song was put into my life for a reason — for me to create the fervor that it did with the PMRC and make the band a household name, and then for me to announce to the world that I would never play the song again."

He added: "I tell people now, the silence of it is deafening. It's worked like a charm."

"Animal (Fuck Like A Beast)" was originally intended to be the opening track on W.A.S.P.'s self-titled 1984 debut album, but was dropped before the album's release, although it appears as a bonus track on the 1998 reissue. Written by Lawless, the song was deemed too controversial, with W.A.S.P.'s then-record label, Capitol Records, not wanting to risk the album being banned from major retail chains. The single was shelved until the band was able to strike a one-off publishing deal with the independent label Music For Nations. The single was finally released in April 1984, complete with the original sleeve and art depicting a codpiece and a circular saw blade.

W.A.S.P.'s first U.S. tour in a decade includes support from ARMORED SAINT and MICHAEL SCHENKER on select shows.

Joining Lawless in W.A.S.P.'s current lineup are bassist Mike Duda and guitarist Doug Blair, who have been in the band 26 years and 18 years, respectively, along with drummer extraordinaire Aquiles Priester.

During an appearance on a recent episode of "The Ron Keel Podcast", Lawless spoke about what fans can expect to see on W.A.S.P.'s 40th-anniversary tour. He said: "Well, in '86 we did a record called 'Inside The Electric Circus'. And I had, as a kid… I was born in Tampa [Florida]. Before I moved to New York when I was seven, in Tampa, there's an area there that's just south of Tampa called Gibsonton. And Gibsonton is an area where a lot of people from the circus go in the off seasons in winter there. So I grew up — literally — around seeing circus people. As a matter of fact, where we lived, there was a family that were trapeze artists. And when I was a little kid — like, when I was five — I'd walk over there and I'd watch 'em rehearse. And I was fascinated by it. So the whole idea of the circus has been something that's really been part of my makeup. So we visited this in '86. But what happened is when we were moving into playing arenas… What I originally wanted to do was more like an old-fashioned 1930s carnival. But because we were moving into bigger venues, everyone said, 'Well, it's not big enough. It's not flashy enough. It's gotta be bigger. It's gotta fill up those rooms.' So what we ended up doing was a much more flashy production. And it was good, but it was not my original idea. So I'm getting an opportunity now to go back and do this thing that looks like a 1930 carnival, but this is a dark carnival. And dark in the sense that when we first started, and [we were] making the demos, one day we were in the studio and something happened and a piece of gear broke down and we had to take a few hours off. And so there was a movie theater across the street and 'Road Warrior' was playing there. And so we said, okay, we wanted to see the movie, so we went over and watched it. And I was absolutely riveted to it. And I remember thinking, 'All right. If we go out and we do this stuff live, this is what we're gonna look like; this is what we're gonna feel like.' And the whole idea, when we wearing the pants that had no backs in 'em and all that stuff, all that came from the 'Road Warrior'. We thought for sure we would get busted on this, and we were waiting for those questions. And we never once got busted on it, and we couldn't believe it. [Laughs] Because we stole our whole act from that movie — the girl on the rack; all that stuff came from that movie. So if you can imagine today an old 1930s kind of sideshow, dark carnival-slash-'Road Warrior', that's what this is gonna look like."

In a separate interview with Metal Edge magazine, Lawless was asked how he plans to stage a "real-deal W.A.S.P. show" to celebrate the band's 40th anniversary "with the existence of cancel culture and woke culture." He responded: "That's a complicated question you just asked. Because first of all, I'm not gonna even consider a woke culture. That has nothing to do with my world. You know, if that's what somebody wants to do that's their privilege. Free country. But our fan base is our fan base. So, one of the things I learned a long time ago is that if you're going to have a genuine career… And when I say a real career, I'm talking about somebody that does it for a lifetime, I'm not talking about somebody that just makes records. And that's okay, too. In the pop world, that's fine. You know, that's what people want. But if you're going to have a genuine career, I'm not talking about somebody that's around for five years, or 10 years. I'm talking about somebody who's around 20 years, 30 years, longer. What you're saying, in effect, is you're going to take that fan base on a lifelong ride. And if you're going to do that, you have to have an intimate relationship with them. And if you don't have that intimate relationship, they will never feel like they know you.

"You've got to be willing to crack your skull open, and let them come inside and walk around barefoot, inside your head," he continued. "You really do. And the only way you can do this is with lyrics. We can do interviews like this, and it helps considerably. I mean, people get to know you a lot that way. But the lyrics are where they're really gonna get to know you. Because that's what they're listening to most of the time. And so to do that, you've got to be willing to share parts of yourself that a lot of artists just aren't willing to do. Let them get in there, into the nooks and crannies, and find the good and the not so good.

"So, to get into a culture that is doing that, that would do me no good, because I'm talking to specific people out there. First of all, our type of music, whether it's us or anybody else in our genre, we are a subculture. We're not mainstream. We're not the pop world, which is 50 percent of the market. We're a smaller market, like, you know, 25 to 30 percent of that potential pie that's out there. It's not going to do me any good to try to talk to people that aren't going to listen anyway. My whole thing is to try to identify what it is I'm thinking and feeling at the moment. Because I, too, like everybody else, my opinions are gonna change from time to time.

"And so the idea is, when you take people on that lifelong ride, they look at what you wrote 30 years ago, and they go, 'Oh, wow, look what he was thinking,'" Blackie added. "And they listen to something, whatever the last thing was that came out, and they go, 'Oh, wow, look at how he's thinking now.' So this is that intimacy, where you take people and you're literally communicating with them over the course of this journey. So, trying to do anything from a standpoint of being influenced socially would do me no good. Or anybody like me that does this. You have to be true to yourself. I mean, we got into this not giving a damn about what people thought so why should it be any different now?"

W.A.S.P.'s first live performance since December 2019 took place on July 23 at Skansen in Stockholm, Sweden. A week later (July 30),W.A.S.P. also played at Skogsröjet festival in Rejmyre, Sweden.

W.A.S.P. recently postponed its European 40th-anniversary tour, originally scheduled for spring of 2022, until the spring of 2023. The new dates will take place in March, April and May of 2023. All tickets previously purchased for the 2022 tour will be valid at the rescheduled 2023 shows.

W.A.S.P. at the House of Blues Las Vegas! 🤘🏻

Posted by RIP Magazine on Friday, October 28, 2022

WASP was amazing! Sounded perfect, show was great, all the hits! My advice is that if you go, don't be in the middle,...

Posted by Robert Moseley on Saturday, October 29, 2022

Wasp house of blues Las Vegas

Posted by David Lowell on Friday, October 28, 2022

WASP

Posted by Tracy White-McEwan on Saturday, October 29, 2022

WASP set list from VIP in Vegas prior to show

Perrin Wolfson reporting for The Metal Voice in Las Vegas at the House of Blues Oct 28 2022

Posted by The Metal Voice on Friday, October 28, 2022

Marquee at The House Of Blues in Las Vegas for tonight’s first show of the US tour.

WASPnation.com/Tour

#waspnation...

Posted by W.A.S.P. Nation (Official) on Friday, October 28, 2022

Find more on W.a.s.p.
  • facebook
  • twitter
  • reddit
  • email

Comments Disclaimer And Information

BLABBERMOUTH.NET uses the Facebook Comments plugin to let people comment on content on the site using their Facebook account. The comments reside on Facebook servers and are not stored on BLABBERMOUTH.NET. To comment on a BLABBERMOUTH.NET story or review, you must be logged in to an active personal account on Facebook. Once you're logged in, you will be able to comment. User comments or postings do not reflect the viewpoint of BLABBERMOUTH.NET and BLABBERMOUTH.NET does not endorse, or guarantee the accuracy of, any user comment. To report spam or any abusive, obscene, defamatory, racist, homophobic or threatening comments, or anything that may violate any applicable laws, use the "Report to Facebook" and "Mark as spam" links that appear next to the comments themselves. To do so, click the downward arrow on the top-right corner of the Facebook comment (the arrow is invisible until you roll over it) and select the appropriate action. You can also send an e-mail to blabbermouthinbox(@)gmail.com with pertinent details. BLABBERMOUTH.NET reserves the right to "hide" comments that may be considered offensive, illegal or inappropriate and to "ban" users that violate the site's Terms Of Service. Hidden comments will still appear to the user and to the user's Facebook friends. If a new comment is published from a "banned" user or contains a blacklisted word, this comment will automatically have limited visibility (the "banned" user's comments will only be visible to the user and the user's Facebook friends).