Starlight And Ash

Century Media
rating icon 9 / 10

Track listing:

01. The Waters Rising
02. Hearts of Stone
03. The Lighthouse
04. Red Forest Roads
05. The Hanging Tree
06. Salvation
07. Star Altar
08. The Spring of 21
09. Just a Day
10. House of the Rising Sun
11. The Shipbuilder's Son

Something special happened on the last, self-titled OCEANS OF SLUMBER album, only two years ago. A deep and daring piece of work that sought to gently redefine the Texans' musical world, it featured plenty of the bombastic extremity that had informed its predecessors but tied in a much stronger sense of songwriting purpose. In particular, "To the Sea (A Tolling of the Bells)" stood out as a bold, tangential and yet beautifully natural step; as vocalist Cammie Gilbert's sonorous, bluesy tones collided with music that owed a superficial debt to gothic metal, but that also seemed to emanate from a much darker, grittier and more truthful place.

Whether or not OCEANS OF SLUMBER arrived at "Starlight and Ash" as a result of one song or another is, of course, pure speculation, but the band's fifth full-length album amounts to a startling and fearless left-hand turn nonetheless. Although still rooted in metal's intrinsic darkness, this is really an album of opaque, contemporary blues, with Gilbert as its bruised but still beating heart.

And holy shit, this is a beautiful record. With songs that cover a broad spectrum of influences and atmospheres, "Starlight and Ash" could easily have been an incoherent mess, but a red line of raw emotion runs through it, from first to last, and every elegant detour honors the whole. Both "The Waters Rising" and "Hearts of Stone" draw from the arcane moodiness of bands like TIAMAT and MY DYING BRIDE, but gone are the overt salutes of earlier albums. Instead, only the essence of those inspirations remains, newly assimilated into OCEANS OF SLUMBER's highly evolved new hybrid of dark new wave textures, dust-bowl Americana and, most importantly, increasingly incisive vocal melodies. The contrast between old and new is even more striking on the likes of "The Lighthouse" and "Red Forest Roads"; both rooted in the blues, they re-imagine the traditional campfire song as existential poetry, aided by the subtlest of modern embellishments.

There are certainly moments of unmistakably metallic heaviness on "Starlight and Ash", but here they act as a contributory features, rather than something more definitive. Freed from the shackles of genre politics, OCEANS OF SLUMBER have played to their greatest strengths, channeling all that grandeur and bombast into something more intimate and authentically crestfallen. Great songs glide by throughout: the ornate but menacing "The Hanging Tree"; the tense, spaghetti western post-rock of "Salvation"; the expansive, dream-doom of "Star Altar". Even a relatively faithful take on that old standard, "House of the Rising Sun" feels fully immersed in OCEANS OF SLUMBER's aesthetic realm and becomes all the more potent and reinvigorated as a result. Again, Gilbert's vocals are nothing short of miraculous, and the sense that this band have undergone some kind of caterpillar-to-butterfly transformation is hard to resist. "Starlight and Ash" concludes with the exquisite dynamic twists and funereal thunder of "The Shipbuilder's Son": the album's most unapologetic bridge to its creators' past and another gorgeously gloomy plunge into thrilling new territory. Never mind the riffs, OCEANS OF SLUMBER have ascended to a higher plane. Praise be.

Author: Dom Lawson
  • facebook
  • twitter
  • reddit
  • email

Comments Disclaimer And Information

BLABBERMOUTH.NET uses the Facebook Comments plugin to let people comment on content on the site using their Facebook account. The comments reside on Facebook servers and are not stored on BLABBERMOUTH.NET. To comment on a BLABBERMOUTH.NET story or review, you must be logged in to an active personal account on Facebook. Once you're logged in, you will be able to comment. User comments or postings do not reflect the viewpoint of BLABBERMOUTH.NET and BLABBERMOUTH.NET does not endorse, or guarantee the accuracy of, any user comment. To report spam or any abusive, obscene, defamatory, racist, homophobic or threatening comments, or anything that may violate any applicable laws, use the "Report to Facebook" and "Mark as spam" links that appear next to the comments themselves. To do so, click the downward arrow on the top-right corner of the Facebook comment (the arrow is invisible until you roll over it) and select the appropriate action. You can also send an e-mail to blabbermouthinbox(@)gmail.com with pertinent details. BLABBERMOUTH.NET reserves the right to "hide" comments that may be considered offensive, illegal or inappropriate and to "ban" users that violate the site's Terms Of Service. Hidden comments will still appear to the user and to the user's Facebook friends. If a new comment is published from a "banned" user or contains a blacklisted word, this comment will automatically have limited visibility (the "banned" user's comments will only be visible to the user and the user's Facebook friends).