rating icon 8 / 10

Track listing:

01. Oblivion
02. Dead Man's Glory
03. Invaders
04. Heart of Darkness
05. Andersonville
06. Carry On
07. Soldiers and Kings
08. Warrior Soul
09. Slaughterhouse 5
10. Battle Of Life
11. Custer's Last Stand

Four albums in, and CIVIL WAR are still peppering their press releases with references to SABATON. It makes sense, of course. Founded by two former members of the Swedish heavyweights, and instinctively tethered to the same broad concepts, they have also welcomed former SABATON guitarist Thobbe Englund into their midst. A more significant development, one might argue, is the recruitment of new vocalist Kelly Sundown Carpenter, who replaced the departing Nils Patrik Johansson in 2017, and whose spectacular performance lifts "Invaders" to heights barely suggested by the Swedes' previous albums.

Never the SABATON clones that their much-mentioned affiliation suggests, CIVIL WAR should perhaps have more confidence in their own identity, because this feels like a mixture of defiant consolidation and audacious upgrade, with close to nothing owed to anyone else.

Opener "Oblivion" is a wild and rousing thing. CIVIL WAR eschew the clipped precision of much modern power metal for a deeper, richer and more volubly epic sound, often sprinkled with unexpected keyboard shades or bursts of quasi-orchestral pomp. When combined with Carpenter's none-more-classic vocals, which have an undeniably DIO-esque hue to them at times, the end result shares as much with Tony Martin-era BLACK SABBATH as it does with anything more contemporary.

There are some glorious songs here, too. "Dead Man's Glory" is a punishing squall of pathos and pessimism; "Andersonville" tells the tale of a brutal, Confederate-era prisoner-of-war camp via the darkest of monster ballads; "Warrior Soul" is an unashamedly direct power metal anthem with a thinly veiled, haunted heart, like NOCTURNAL RITES jamming in the underworld. Elsewhere, "Slaughterhouse 5" plunders Kurt Vonnegut's legendary dark satire for a wildly exhilarating eruption of prime prog metal bluster, replete with whistling Moogs; "Soldiers and Kings" sounds exactly like a song called "Soldiers and Kings" should, but with the billowing aura of a thousand slain souls balancing out the spine-rattling aggression. On a more upbeat and uplifting note, "Battle of Life" is four minutes of pure, melodic metal euphoria; while a bonus cut re-recording of "Custer's Last Stand" (originally on CIVIL WAR's first, self-titled EP, released a decade ago) turns the clock back to 1876 with rather more cinematic flair and SAXON-like grandeur than on its earlier incarnation.

Compelling from atmospheric start to bullet-ridden conclusion, this is CIVIL WAR's strongest album by some distance.

Author: Dom Lawson
  • facebook
  • twitter
  • reddit
  • email

Comments Disclaimer And Information

BLABBERMOUTH.NET uses the Facebook Comments plugin to let people comment on content on the site using their Facebook account. The comments reside on Facebook servers and are not stored on BLABBERMOUTH.NET. To comment on a BLABBERMOUTH.NET story or review, you must be logged in to an active personal account on Facebook. Once you're logged in, you will be able to comment. User comments or postings do not reflect the viewpoint of BLABBERMOUTH.NET and BLABBERMOUTH.NET does not endorse, or guarantee the accuracy of, any user comment. To report spam or any abusive, obscene, defamatory, racist, homophobic or threatening comments, or anything that may violate any applicable laws, use the "Report to Facebook" and "Mark as spam" links that appear next to the comments themselves. To do so, click the downward arrow on the top-right corner of the Facebook comment (the arrow is invisible until you roll over it) and select the appropriate action. You can also send an e-mail to blabbermouthinbox(@) with pertinent details. BLABBERMOUTH.NET reserves the right to "hide" comments that may be considered offensive, illegal or inappropriate and to "ban" users that violate the site's Terms Of Service. Hidden comments will still appear to the user and to the user's Facebook friends. If a new comment is published from a "banned" user or contains a blacklisted word, this comment will automatically have limited visibility (the "banned" user's comments will only be visible to the user and the user's Facebook friends).