TODD LA TORRE-Fronted Version Of QUEENSRŸCHE: Multi-Camera Footage Of 'Monsters' Performance
June 11, 2013Top Of The Bottom has uploaded multi-camera video footage of the Todd La Torre-fronted version of QUEENSRŸCHE performing the song "Queen Of The Reich" during the Monsters Of Rock cruise, which embarked on its second voyage March 16 and returned four days later. Check it out below.
QUEENSRŸCHE's self-titled album, which will be released on June 25 via Century Media Records. The cover artwork was created by Craig Howell, who has previously worked on designs for "Star Wars", SLIPKNOT and "American Idol", to name a few.
"Queensrÿche" marks the debut release from the lineup comprised of La Torre (vocals; ex-CRIMSON GLORY),Michael Wilton (guitar),Parker Lundgren (guitar),Eddie Jackson (bass) and Scott Rockenfield (drums). The drums for the album were recorded at London Bridge Studios in Seattle, Washington with producer James "Jimbo" Barton — the man who engineered and mixed the band's classic 1988 LP, "Operation: Mindcrime", and its 1990 follow-up, "Empire", and co-produced 1994's "Promised Land". The rest of the music and vocals were laid down at several different facilities on the West Coast.
Asked which album in QUEENSRŸCHE's catalog would most closely compare to what the band is doing now, drummer Scott Rockenfield told "Noize In The Attic": "Our big goal was, once we kind of made our transition last year and moved on as a band, and Todd being in the band, and our focus of the live shows and everything, it's always kind of been about looking at what really made QUEENSRŸCHE special. And for the live show, it's the old stuff. And we've been focusing a lot, in the show, doing that, for the last year, and we're continue to focus on doing that. On the record, I think the vein of what the record is a combination of all that great old stuff that we're kind of known best for. I mean, for me, I kind of summarize it by saying, to me, it's everything from the [debut] EP up to 'Empire', or maybe even 'Promised Land' at that point, which is, to me, the most defining catalog that we've ever done. And I think for this record, it's visiting that and taking that into the future."
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